Thomas Friese wrote: > Yes, you may but there are extremely positive possibilities. Richard's compares Zapparoni's use of media to create works of art with Greek tragedy's enhancement of the human body and Botticelli's creation of a new race. A moral judgement of Zapparoni is very difficult. The only clear aspect is his power - we aren't given a certain picture of the intentions behind the application of that power. In any case, I haven't yet perceived aspirations such as these in our film media, Steven Spielberg, George Lucas, Bill Gates included. Like Aladdin, we have the all-powerful lamp yet we only satisfy our lowest urges. Perhaps such a figure will emerge and the human race will be better off for it. Optimism. **************************************** So far Spielberg hasn't been too aggressive in pushing his ideas and cultural pretensions, but he hasn't entirely been pure entertainment. He joined the cynics who produce "kid pix" proving that all evil comes from adults--E.T. and BACK TO THE FUTURE. He proved that he sympathized with the slavery of blacks--THE COLOR PURPLE. He also discovered that the Nazis were bad--SCHINDLER'S LIST. All this is pretty obvious and not threatening. Expect him to do more "serious" films in the future so as to prove that he is really a cultured man, not a vapid, special-effects billionaire. Of course, it doesn't matter much what he does, as far as content is concerned, so long as he maintains his position as one of the media moguls, using the media to express his views, contributing to the formation of a media environment, which sets the subjects, tastes, attitudes, fashions, etc. for millions of herd animals who themselves have no access to the media and pay for it by buying the advertised products. Even if Spielberg or some other media mogul should produce something wonderful, make a film that is uplifting and inspiring, he would not alter the environment one bit, but only keep the audience enthralled. I once saw Paddy Chayevsky's movie NETWORK on TV. The film is a devastating critique of TV, or so it would seem. In one bitter moment the hero says something about a tragedy, "and then it's time for the commercial." At that point, indeed, the film switched off to a commercial, as if to prove that mindless TV had the ultimate power and could take any criticism thrown at it, even brazenly show the criticism and make money off of it. The one-eyed monster rules. As relates to the GLASS BEES, if you watch American TV or cinema you will be amazed by the sophistication of technology and the paucity of substance. Even the most idiotic commercials are wonders of photography and special effects. True, J conceives Zap as something of a Da Vinci, whereas our media moguls at best have the minds of bright adolescents and at worst are boorish clods. Maybe the genius Zapparoni type is yet to come. For me that's not a cause for optimism, nor do I think that J. intended Zap to be perceived that way. His talents only make him all the more diabolical. GK
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