It took me some time to answer--sorry. The book seems to me an allegory of what was happening not just in Germany but in Europe at the end of the Thirties. What you have is an ancient and sophisticated civilization (the city on the marble cliffs) menaced by the Oberwalder--and I have noticed that in Juenger the forests, be they tropical or nordic, have always the meaning of a place of prehistorical elemental forces, a space of irrationality and inhuman energies. The place where we humans probably come from, and the opposite of our civilisation--though it seems that some of those Urkrafte can be precious for life. The Oberwalder (surely I am forgetting some umalut here and there) is a symbol of the totalitarian barbarism which was spreading on the whole continent, a form of barbarism. But, like in other Juengerian texts, this may be a very superficial appreciation of the novel; because much of what is meaningful in Juenger's style is his use of single, meaningful, symbolic words, or metaphors, or even colors. I wish I had time to re-read the book! I remember there's a hermitage of sorts where the main characters spend their time before the battle with the Oberwalder. It is a sort of self-imposed retirement (or better, seclusion). I'd like to hear what other listpeople think of that. Umberto Rossi "L'unica vera rivoluzione che si deve fare in Italia e' che chi e' pagato per fare un lavoro lo faccia."
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