I am certainly not qualified to decide whether EJ would be "kasinofähig" or not, whether in German or Swiss barracks. It must be a very special military honour if neither the Pour le mérite nor the rank of Kompanieführer nor the function as Stabshengst in the Paris army headquarters seem sufficient to make EJ eligible, not to talk of the Stauffenbergs. Maybe Roberto Haab is willing to explain this term in more detail? Or is it maybe rather a term intended to express his moral outrage at any member of the Wehrmacht that aided or abetted Hitler at any time? A noble and lofty moral position indeed which I forbid myself to call into doubt. However, I must add that for myself I would see little sense to strike up an attitude of moral censure towards EJ. I am a member of a generation which is far away in time and in its way of thinking from the terrible quandaries EJ and his contemporaries and his compatriots found themselves pushed into. Certainly, during my career as a teacher in Germany I felt the obligation to do everything I could "damit Auschwitz sich nicht wiederhole" (one of the quandaries this later generation saw itself pushed into, by the way). I must say that for a long time I did go the way of moral outrage at the Nazis and even more at our parent generation that was afterwards so silent about what had happened during those twelve years. That made me feel indeed different from them, but it blocked my understanding of people like EJ who did not go into exile and even seemed to like wearing the uniform mit dem geflügelten Hakenkreuz (I think it was rather the imperial eagle perched on the swastika). Gradually, I came to realize that less moral ire and more patient readiness to understand (which is not to be confused with readiness to excuse or to gloss over) helped me meet that obligation I felt towards my students. Luckily, the first book by EJ I read was STRAHLUNGEN, his diaries of WWII. I was profoundly impressed, so impressed that even if I had read only that one book I would never feel tempted any more to pass moral judgments on EJ. And this is the point where I find Roberto Haab's approach questionable. As he indicates himself by inserting "wohl" or "vielleicht" he bases his criticism on his personal impressions of the curriculum vitae, on his personal latter-day impression of biographical traces like photos, and, as I suspect, on the sulphurous aura post-war Germans conjured up around his image in order to protest how radically different and anti-fascist they were. So we learn a lot about Roberto Haab's idiosyncrasies, but little about EJ. And we learn nothing about what EJ actually thought and felt as long as we do not look at what he wrote. I find discussing EJs arguments and ideas more fruitful than quarrelling about the phantom images which certain aspects of his biography evoke in people's minds. Günter Rebing
Markup © John King, 2008. Web archive generated Tue, 21st August 2007.