ernst jünger in cyberspace

mailing list archive - EJ - The Dreamer

Richard,

Really don't have the liking for this. There is quite a
difference between dreaming while awake (as you)
and dreaming at the proper time - while sleeping.

Am not denouncing you. On the contrary I wish you well
and hope that you could, maybe, concentrate on sleeping
dreams. Then we who are interested in real life and what
some call realpolitik could go on with our business at
hand.

Recently read the Neunte Szene in the libretto of the
new EJ opera at Nationaltheater Mannheim:

"Im Hintergrund baut sich das Bild der Marina auf.
Waehrenddessen scheint die Sage in neueren Bildern
auf dem Tuell noch einmal zu erstehen - quasi als
Dokumente einer modernen Apokalypse. Es treten
Personen auf, die sich hinter der Szenerie der Ruine
aufstellen und die mit ihrem Gesang einen grossen
Todesritus symbolisieren.

Chor (unsichtbar)

Flammen, die St=E4dte funkelten.
Feuerregen wie brennende Lampione.
Flammen. Die Palaeste fallen. Stille
Schoenheit des Untergangs.
So flammen ferne Welten zur Lust der
Augen in der Schoenheit des Untergangs auf."

(p. 62, Programmheft Nr. 136=20
Auf den Marmorklippen von Giorgio Batistelli).

The basis of this is also dreams, but not daydreams.

With Juengerian wishes

Bertil

> Thanks for proving my point by again reducing what I've said to just =
one
> aspect. But what I find really strange - and at the same time =
revealing - is
> that you're using the word "dreaming" to denounce me. >=20
> In closing, let me say that contrary to what you assume it's precisely =
the
> "mystical" aspects in Juenger that I find somewhat problematic. =
Because to
> me they're too vague and New Agey. All this talk about the Titans -- I =
mean,
> it works as a poetic image or a metaphor, but shouldn't be taken too
> seriously (I sometimes get the feeling some "Juengerians" regard his =
remarks
> on the Titans as religious revelations). However, these "mystical" =
aspects
> form an integral and essential part of Juenger's philosophy.=20



Follow Ups to this Message

Replies to this Message

Markup © John King, July 2001.