John King wrote: > However, I'd like to turn back to the letter to FGJ cited by Armin Mohler in > "Die Schleife" which Bertil used to start the discussion on desinvolture. At > the risk of being pedantic, I'd point out that this incident took place in > Hannover, and not Berlin. One interesting aspect of this letter is the way > in which EJ treats the incident as a performance and passes judgement on > both sides in aesthetic terms - the mob and the police lines are referred to > as Künstler. Significant, I feel. Where is the desinvolture here? In the > figure of EJ writing to his brother. It is a trope which has been well > documented in criticism of his war writing - the transformance of the > dangerous into the aesthetic is a strategy of psychic self-preservation > deployed to keep the threatening at bay by distancing it from the self. (Cf. > the Anarch who struggles to preserve this distance and thus himself from > corruption). Bertil's second text from "Das Abenteuerliche Herz" backs this > reading up - desinvolture as divine armour. Much of J's writing is precisely > that - stand offish, concerned to observe and order into a coherent symbolic > system. Desinvolture seems to be deployed as a strategy in that endeavour > but also as a reaction to its failure to contain the world. Thanks for correcting me. I did not use Mohler as source for the letter and the details of the geographic setting was not given. I associated with Berlin and the actual coup. Thanks for your views concerning desinvolture. At one point EJ quotes Bacon's _Essays_: Overt and apparent virtues, bring forth praise: but there be secret and hidden virtues, that bring forth fortune; certain deliveries of a man's self, which have no name. The Spanish name, desemboltura, partly expresseth them: when there are not stonds nor restiveness in a man's nature; but that the weels of hism ind, keep way with the wheels of his firtune." EJ concludes that it might bring good fortune to have something of a fool in one, and not too much of the honest man. Well, well. Greetings Bertil Haggman bertil.haggman@helsingborg.se
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