Recently found the following - Kirchhorster Blaetter, SW III, entry of 27 February 1945, p. 376: 'Kurz nach dem Ersten Weltkrieg hat [Huysmanns La-Bas] einen gewissen Einfluss auf mich geuebt, rief die Tendenz zu einem expressionistischen Katholizismus wach, die dann ueberdeckt wurde'. Siebzig verweht IV, entry of 28 June 1987, p. 171: 'Huysmanns hat diese Kathedrale [von Chartres] als Vorbild fuer alle anderen gesetzt: "La" Cathedrale. Das Werk hat in mir nach dem Ersten Weltkrieg eine fluechtige, vielleicht auch in der Erbanlage [!] begruendete Neigung fuer den Katholizismus erweckt'. So, in other words, he maintains that he nearly converted to an aesthetically tinged Catholicism in the early 1920s. At the same time that he was taking all sorts of drugs, reading demonologies, Spengler, all of Goethe more besides, writing Expressionistic poetry, hanging out with Paul Steegemann and others in Hannover... of these it was obviously Catholicism that had the longest lasting influence. Other signs of his early predeliction for Catholicism are buried in the first edition of "Das Waeldchen 125" and in his reviews of Bernanos's novels. Thought people might be more interested in this than more bibliographical references (of which there are a few more to come). Regards, JK ============================================================================== John King St. John's College GB - Oxford OX1 3JP ==============================================================================
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