Dear Bertil, as I have tried to give a definition of Juenger's poetical relevance and his political irrelevance, I was aiming at the term "weltbuergerkrieg" which you've brought into the game, and, as I understand this term, it is an explicitly political term. Talking in political terms I still can't find any instrument or specific insight in Juenger's works to interpret this century politically or in historical terms. No doubt about the fact that he some kind of eclectically picks up some points of Spengler, some of the early Baeumler, some of Schmitt, some of Driesch, some of the "Gestaltpsychologie", later Bloy, and a lot of his brother's thoughts and so on and so on, but you can find all these eclectic parts with much more stringency in their own works. To go on, the way Juenger combines all that stuff doesn't create a new style of thinking or analyzing at all, as far as I see (maybe it's not far enough, o.k., but I would like to get some beating examples if there are any). Of course Juenger is a poet, he is a poet in a very emphatic sense, or what would be your definition of a poet? And as a poet he is to be regarded a very important one of this century, but as philosopher or even political philosopher? I think in debating Juenger's work we should keep away from hagiography. I think Juenger himself was quite modest in these questions, his (literary) position was that of an observer by attitude. Waiting for your arguments, Yours KvK
Markup © John King, 2008. Web archive generated Tue, 21st August 2007.