> [3] Reflecting in these passages on the concept of the =BBinvisible=AB h= e looks at > the role of the invisible as associated with mountains and takes his exa= mples > from German Romantic literature. Ernst Theodor Amadeus Hoffmann's tale =BB= Die > Bergwerke zu Falun=AB was published 1819 in his collection =BBDie Serapi= onsbr=FCder=AB. > Compared to the classic simplicity of Johann Peter Hebel's masterful tal= e > =BBUnverhofftes Wiedersehen=AB Hoffmann's rendering of the same story se= ems somewhat > overblown and too deliberately romantic to me. I am amazed that the toug= hminded > author of =BBIn Stahlgewittern=AB or =BBDer Arbeiter=AB is so palpably f= ascinated by it. I think its no so strange. Der Arbeiter have a quantum of romanticism - though cooled in the steeled armor and freezed temperatures of its structure and language; this romanticism is also a condiment of other titanical simplificated aesthetics - for example, that of Marinetti. I remember also ( don=B4t know exactly where, in a novel, or may be in his diaries) Ej himself recalling his young romantic conceptions and feelings. Best regards Roberto
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